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The selection process for the 9th Edition of the Chianciano Biennale has now been completed.

We would like to sincerely thank every artist who submitted work for consideration. This year we received an exceptional number of applications from artists across the world, making the selection process particularly competitive.

All applicants have now been notified by email, and the results are available through the Artemisia platform.

Successful artists will receive further information over the coming weeks regarding artwork delivery, exhibition preparation, and the opening events.

➡ View the selected artworks on Artemisia

We look forward to welcoming our selected artists to Chianciano Terme, Tuscany, from 15–29 August 2026 for what promises to be our largest and most international edition to date.

Over 300 International Artists to Transform Chianciano Terme into a Major Contemporary Art Destination

Chianciano Terme, Tuscany — The Chianciano Biennale 2026 will mark the largest and most ambitious edition in the history of the exhibition, bringing together more than 300 artists from around the world across the galleries of the historic Centro Storico and the extensive spaces of the Chianciano Art Museum.

Taking place from 15–29 August 2026, the Biennale will expand throughout the town of Chianciano Terme, transforming the celebrated Tuscan destination into a large-scale international centre for contemporary art, cultural dialogue and artistic exchange.

For the first time, the Biennale will adopt a fully expanded multi-site format, combining the atmosphere and architectural character of the medieval old town with the over 3,000 square metres of exhibition space within the Chianciano Art Museum.

The medieval streets, galleries and historic spaces of the Centro Storico will become an immersive cultural pathway connecting exhibitions, installations, meetings with artists and special events throughout the town, creating a unique dialogue between contemporary artistic practice and the cultural heritage of Tuscany.

Artists from over 60 nations are expected to participate, presenting works across painting, sculpture, photography, installation, mixed media and experimental contemporary practices. Thousands of visitors, collectors, curators, critics and art professionals are anticipated to attend the 2026 edition.

The opening celebrations will unfold over two days:
• The first official opening event will take place throughout the Centro Storico, with galleries and cultural spaces opening simultaneously for a town-wide celebration of contemporary art.
• The second opening event will follow the next day at the Chianciano Art Museum, presenting the museum’s international exhibition programme and large-scale installations.

The expanded format reflects the Biennale’s continuing international growth and its commitment to making contemporary art more accessible, experiential and integrated within the urban and cultural life of the town itself.

Set in the heart of Tuscany — the cradle of the Renaissance — the Chianciano Biennale creates a meeting point between historical heritage and contemporary global creativity, while contributing to the cultural and economic vitality of the region through international tourism and artistic exchange.

“This expansion represents an important moment not only for the Biennale, but for Chianciano itself,” said Peter Gagliardi. “By connecting the museum with the historic centre, we hope to create a living cultural experience that involves the entire town and welcomes artists and visitors from all over the world.”

Alongside the exhibitions, the Biennale will feature a wider cultural programme including talks, artist encounters, performances and special events designed to encourage dialogue between artists, visitors and the international art community.

The international call for artists remains open until 31 May 2026. Selected artists for the 2026 edition of the Chianciano Biennale will be officially announced in June 2026 following the completion of the curatorial and selection process.

The Chianciano Art Museum is pleased to announce a new media initiative connected to the forthcoming 2026 edition, offering selected artists the opportunity to be featured within special cultural pages published in the Tuscany edition of la Repubblica, one of Italy’s most respected and influential newspapers.

The Tuscany edition of la Repubblica, with particular circulation throughout Florence and the wider region, reaches a readership deeply connected to the artistic and cultural life of central Italy. For many years, the newspaper has represented an important point of reference within the Italian cultural landscape and is read daily by collectors, curators, museum directors, art professionals, gallerists, critics, foundations, and dedicated followers of the arts.

As part of this initiative, the Chianciano Art Museum will curate specially designed cultural pages dedicated to artists participating in the Biennale. These professionally presented features will showcase artists and their works within the prestigious environment of one of Italy’s leading publications, offering an important opportunity for visibility within the contemporary art world.

Florence continues to stand among the great international capitals of art and collecting, home to world-renowned museums, private collections, foundations, and major galleries. Being featured within the Tuscan cultural pages of la Repubblica therefore represents a significant opportunity for artists to reach a highly qualified and culturally engaged audience deeply connected to the region’s artistic landscape.

This initiative forms part of the broader mission of the Chianciano Art Museum and the Chianciano Biennale 2026 to create meaningful international promotional opportunities for contemporary artists while encouraging dialogue between emerging and established artistic voices.

The forthcoming edition of the Biennale will once again bring together artists from around the world within the extraordinary cultural setting of Tuscany, combining museum exhibitions, international connections, and important visibility opportunities linked to the Italian and European art scene.

Submission Deadline: 31 May 2026

The Chianciano Art Biennale has opened its call for artists for the 9th edition, set to take place in 2026 in the heart of Tuscany’s medieval town. Organised by the renowned Gagliardi Gallery in London, the Biennale has established itself as a beacon of artistic excellence, showcasing talent from across the globe for over a decade.

Artists from every nation are invited to submit their work and join a celebration of contemporary art that transcends geographical and cultural boundaries. More than 150 artists will be selected to exhibit across thirteen historic galleries, including the Museo d’Arte di Chianciano, creating a unique dialogue between modern creativity and centuries-old architecture.

Winners of the Chianciano Biennale will receive prestigious awards, cash prizes, and automatic approval to participate in the London Art Biennale 2027, further cementing the event’s role as a gateway to international recognition.

With over 45 years of curatorial expertise guiding the selection process, the Biennale guarantees an exhibition of the highest quality. It is not just an event but a vibrant community of artists, critics, collectors, and art lovers united in celebrating the power of art.

Chianciano Art Museum Prize

• Koloman Wagner, “Boomerang” (Wood Sculpture), Germany.

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Chianciano Biennale Award for Painting

• 1st Prize: Spencer Zaborniak, “Into The Light” (Oil On Canvas), Canada.

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• 2nd Prize: Gabriel Maria Gasparri, “Stanza Con Ombre” (Oil On Canvas), Italy.

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• 3rd Prize: Liz Purtill, “Paulus Seeing Me” (Egg Tempera On Panel), Ireland.

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Chianciano Biennale Award for Sculpture

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• 1st Prize: Manuel Quaresima, “Per Aspera Ad Astra” (Metal Sculpture), Italy.

• 2nd Prize: Luis Vidal Seguel, “Amnesia, Ancestral Silence” (Wood Sculpture), Chile.

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• 3rd Prize: Jackson Villamizar, “Maschera” (Corten Effect On Paper), Colombia.

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Chianciano Biennale Award for Works on Paper

• 1st Prize: Fabio Cuffari Dialley, “Pietà” (Soft Pastels On Paper), Italy.

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• 2nd Prize: David Atkinson, “Machiavelli VII” (Mixed Media On Paper), UK.

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• 3rd Prize: Asha Bronicki, “Innocence” (Graphite/Charcoal On Paper), Poland.

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Chianciano Biennale Award for Photography and Digital Art

• 1st Prize: Sturla Bakken, “Subtle Ballerina” (Photograph On Paper), Norway.

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• 2nd Prize: Chiara Di Salvo (Oniric Studio), “Susanna E I Due Vecchioni” (A.i. E Digital Work Su Carta Fotografica), Italy.

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• 3rd Prize: Massimo De Carlo, “Le Voyage De La Chambre” (Digital Artwork On Kapa-Line), Italy.

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Chianciano Biennale Award for Abstract Artwork

• 1st Prize: Steven Frank Vero, “Calculations” (Oil On Canvas), Canada.

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• 2nd Prize: Igor Eugen Prokop, “Quantum Entanglement” (Acrylic On Canvas), Hungary.

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• 3rd Prize: Živa Agrež, “Metamorphoses Of The Olive Tree: Andalusian Olive Tree, Flamenco And Bullfighting” (Mixed Media On Canvas), Slovenia.

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Chianciano Biennale Award for Applied Art

• 1st Prize: Cristina Jobs, “The Strenght” (Silicone Sculpture), Spain.

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• 2nd Prize: Fabio Bozza, “Save Me” (Legno, Gesso, Stoffa, Fibre Sintetiche, Componenti Elettronici), Italy.

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• 3rd Prize: Claudio Stefanelli, “P.i.d. In Blu” (Mixed Media On Osb Board), Italy.

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Chianciano Biennale Award for Figurative Artwork

• 1st Prize: Breezart (Nassim Hassanvandi Honaryar), “Fino All’ultimo Respiro” (Oil On Canvas), Iran.

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• 2nd Prize: Tomas Clayton, “Worlds End Lane” (Oil On Board), UK.

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• 3rd Prize: Michele Giustolisi, “Trasposizione” (Oil On Canvas), Italy.

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Artists Selected for London Art Biennale 2025

• Amedeo Del Giudice: “Shoah” (Penna Biro (Bic) E Olio Su Tavola), Italy.
• Marisa Guerini: “Sorellanza” (Fiberglass Sculpture), Italy.
• Gevorg Tadevosyan: “Stubbornness” (Bronze Sculpture), Armenia.
• Fulvio Pratesi: “Luci E Ombre” (Bronze Sculpture), Italy.
• Cesare Pinotti: “Il Giullare” (Oil On Board), Italy.

International Art Critics Award

• Francesca Trusso: “Qdt – Deilcius” (Oil On Canvas), Italy.
• Vladyslava Polishchuk: “Borodyanka” (Photograph On Paper), Ukraine.
• Boré Ivanoff: “La Terrasse du Grand Café Bataclan-Paris 2034” (Oil On Canvas), France.
• Alexander Lee: “Innocence” (Acrylic On Board), Australia.
• Alessandra Chillè: “Elevazione” (Aluminium Sculpture), Italy.

Arts Club Chianciano Award

• Michel Devanakis: “The Edge” (Mixed Media On Canvas), Greece.
• Josep M. Solà: “Autumn In L’agullola De Rupit” (Oil On Canvas), Spain.
• Ida Grøn: “War Poem” (Video, 0:06:30cm), Denmark | Ukraine.
• Elena Sofia Bobei: “Stripes” (Graphite On Paper), Romania.
• Barbara D’Angelo Månsson: “Going Again” (Mixed Media On Canvas), Sweden.

Special Mention for Abstract Art

• Francesco Moscolo Andreotti: “Inciso Primo” (Mixed Media On Canvas), Italy.
• Charles Compo: “Good Dog” (Oil On Canvas), UK.
• Bettie Elghanian: “Meaning” (Acrylic On Watercolor Paper With Collage), USA.

Special Mention for Applied Arts

• Simonetta Matera: “Bassorilievo” (Canvans Paper Plaster Plexiglass), Italy.
• Gianluca Marini: “Universo” (Metal Sculpture), Italy.

Special Mention for Figurative Art

• Petre: “Jester Allegory” (Oil On Canvas), Bulgaria.
• Pasquale Cipolletta: “L’ultimo Sguardo” (Oil On Canvas), Italy.
• Isabelle du Toit: “Conundrum” (Oil On Canvas), France | South Africa.
• Francesco Calistri: “Frammenti” (Oil On Canvas), Italy.
• Carol Lavinia Davison: “Mrs Foxtrot” (Oil On Canvas), UK.
• Giancarlo Scarsi: (oil on canvas), Italy

Special Mention for Sculpture

• Terry Merritt / Tm.sculptor: “Unity” (Stone Sculpture), UK.
• Mirco Sabino Ciccola: “Ssssh” (Bronze Sculpture), Italy.
• Gela Durujeli: “Update” (Stone Sculpture), Georgia.
• Enrico Pelissero: “Culla Altare” (Stone Sculpture), Italy.
• Tikran Bayat (Artdiko) “Forgotten” Bronze Sculpture 50x50x15cm, The Netherlands

Special Mention for Surrealist Art

• Rosario Catino: “Verità Nascoste” (Oil On Canvas), Italy.
• Julian Rowe: “Notes Towards A French Opera: La Bête” (Acrylic On Canvas), UK.
• Greg Dow: “Untitled #26 (Desert Dream)” (Acrylic On Canvas), Canada.

Special Mention for Work on Paper

• Nadija Kudryavtseva: “Erl-King’s Daughter” (Watercolour Pencils On Paper), Ukraine.
• Joe Elias Tsambiras: “Picnic III” (Etching And Watercolor On Paper), USA.
• Evan Healy: “Introspection” (Charcoal & Graphite On Paper), Ireland.

The Chianciano Biennale 2024, one of the most anticipated cultural events of the year, was officially inaugurated yesterday by the Mayor of Chianciano Terme, Grazia Torelli, in a grand ceremony that attracted over a thousand art lovers, collectors, and connoisseurs.

The event, which has cemented Chianciano Terme as a key destination in the international art calendar, unfolded across 13 distinguished art galleries within the town’s picturesque historical center.

The Chianciano Biennale 2024 is a celebration of art in its broadest and most inclusive sense, showcasing a remarkable diversity of concepts, styles, and media. From traditional painting and sculpture to cutting-edge and digital installations, the exhibition offers a platform for both emerging and established artists to present works that challenge, inspire, and engage.

The curatorial team has meticulously selected pieces that represent a wide spectrum of artistic expression, ensuring that visitors encounter a vibrant and thought-provoking experience at every turn.

“The Chianciano Biennale is not just an exhibition; it is a testament to the enduring power of art to transcend boundaries and connect us on a human level,” stated curator Peter Gagliardi. “We are proud to host such a prestigious event, bringing together artists and audiences from all over the world to celebrate creativity and innovation.”

This year’s Biennale is particularly noted for its ambitious scope, with artworks that delve into a myriad of themes ranging from the deeply personal to the universally political. The media on display are as varied as the concepts, encompassing everything from oil on canvas and bronze sculpture to artificial intelligence and interactive installations. The exhibition not only highlights the richness of contemporary art but also reflects the dynamic and ever-evolving nature of the global art scene.

Visitors to the Chianciano Biennale 2024 can expect to be immersed in an unparalleled artistic journey, with each of the 13 galleries offering a unique perspective and atmosphere. The integration of the exhibition into the historical fabric of Chianciano Terme further enhances the experience, allowing guests to explore the town’s cultural heritage alongside its vibrant present.

The Chianciano Biennale 2024 will run until August 18, offering ample opportunity for art enthusiasts to discover the exceptional works on display. With its blend of tradition and innovation, this year’s Biennale promises to be a landmark event in the world of contemporary art.